‘I mean, it’s just a s—ty little polite record sleeve.

I hate it.’

Under the Cover is a column that reveals the stories behind album art.

Pete Townshend

Credit: Daily Herald/Mirrorpix via Getty Images

Pepper’s Lonely Hearts Club Band, along with albums forOasis, Paul Weller, andEric Clapton.

I’d always had a crush on [his art].

I was thrilled to meet him.

My Generation (1964) Album Artwork

Decca Records

He’s very gentle."

Art and design have always been a major factor in the Who’s work.

My Generation(1965)

“I think the cover is just pathetic.

The Who Sell Out (1967) Album Artwork

Track Record

I mean, it’s just a s—ty little polite record sleeve.

The photographer was a nice guy and he took some good pictures of us.

But it’s nuts.

Tommy (1969) Album Artwork

Decca Records

So we came up with the idea to write jingles [forThe Who Sell Out].

They made us very, very welcome, and they had each of us take a different photograph.

We had a lot of fun.

Who’s Next (1971) Album Artwork

Decca Records

So it was a bit like having an ice bath.

It was the birth of the hippie era.

“We had just played at Monterey [Pop Festival], and Karen came with me.

Quadrophenia (1973) Album Artwork

MCA Records

We had a really bad acid trip on the way back.

And we went to a small gathering at which Mike McInnerney was doing some artwork.

I felt a real deep connection.

Faces Dances (1981) Album Artwork

Warner Bros.

Mike McInnerney’s input was really part of what made [Tommy] work so well.

He started to take each song and tried to do a piece about it.

He worked under a single light bulb.

It’s very detailed.

The quality of the artwork is very, very refined.

Also, the way that he approached it, it’s [Rene] Magritte-like.

Whos Next(1971)

“It’s another piece of s—.

It’s a horrible thing.

Of course I don’t like it.

It’s got no artistic consequence whatsoever.

No link to the music.

It’s four guys stopping in a car and pissing up against a chunk of concrete.

There’s no irony in it, there’s no truth in it.

Anyway, can we move on?”

I think that’s perfectly okay, but it’s not the way that I saw it.

The photos inside are high-contrast, they’re really beautifully printed, they’re evocative.

So, again, I’m kind of sad about this album cover.

I don’t think it’s great.

I think the idea is great.”

Face Dances(1981)

“The band was really busy at the time.

Punk had made a lot of noise, and then immediately declined.

I think I had the most difficulty because I was finding it really hard to write songs.

Peter[’s idea for the cover was to] commission all these incredible British artists to produce panels.

They did it fantastically quickly, and it was entirely his idea.

I think it’s wonderful, absolutely wonderful.

The cover is much, much, much better than the music.”